Bookseller and Statesman

What with the IPG conference a couple of weeks ago and the forthcoming London Book Fair it has been a busy time and this blog has consequently suffered. Still the IPG conference did feature their Meet the Retailer session at which the great and the good from the UK book retail sector gave their views on publishing, bookselling, the market, ebooks and more.


Whilst these fine individuals are all leaders in their chosen industry it does appear from this Blue Plaque, which I pass frequently on my commute, that the Bookselling industry used to be lead by real Statesmen.

It seems that as well as expanding the WHSmith retail chain from the modest position the founding H.W. Smith left it in, W.H. Smith rose to great heights in politics. He didn’t quite reach the pinnacle in politics and is distinguished by being the last person to hold the title of First Lord of the Treasury without being or becoming Prime Minister – still I imagine he had other things on his mind:


– supply issues (probably not – he owned the distributor)
– Net book Agreement (not yet in place)
– returns (again no it was all firm sale then)
– innovations (at the time paperbacks were at about the same stage ebooks are today)

Simple times then which explains how he had time to become a statesman as well as a very successful bookseller.

BTW if you want to see the Blue Plaque in situ there is the new wonder of Google’s StreeetView to help.

How (not) to Market Books

Emma Barnes from Snowbooks has been moonlighting on the excellent How Publishing Really Works blog. In her post Emma basically says that retail promotions sell books and consumer marketing and advertisements don't work and she claims to have the evidence to prove it.

I basically agree with Emma, though with some reservations. Emma is talking about 'trade' books and in particular ones that are available to retailer promotions. Not all books are like this. I see Snowbooks publish on martial arts and cycling as well as fiction and would expect that advertising these books in the specialist press and on specialist websites would show more sales than any retail promotion - if one were available.

Some publishers don't have the option of retailer promotions or indeed mainstream press coverage generally because their books are more specialist or technical. In these cases reviews and advertisments can be the only way to alert your readership of the existence of your books.

What I think is interesting about Emma's post though is her business-like approach to this question. She tries new things and crucially gathers evidence as to their effectivness. I don't think enough publishers try this. A few years ago when I was working for one of the country's largest publishers, one of the marketing managers decided to mark the publication of a major book by producing baseball caps and temporary rub-on tattoos featuring the title and a device from the cover. I don't know how many baseball caps were made, I'd guess 100, but I do know thousands of the tattoos were printed. When I left the company a year later nearly all the caps and tattoos were still in boxes on the top of the cupboard in the marketing manager's office (though I've still got a couple of the tattoos someowhere). No one had thought how they were going to distribute these marketing pieces and to whom. What I couldn't understand was why they were allowed to do this and why no one asked 'how many extra sales do you think these caps and tattoos will make us?'.

As a result I generally ask our marketing manager how many sales they expect to make from any advertising they do even though I know this is an unfair question and they hate it. However it is good to focus the mind and at the very least I think they should know how many additional sales will need to be made just to pay for the advertisment.

For example, just recently our marketing manager placed an advertisment in a pretty high circulation magazine. The ad cost £600 for a quarter page. The book is priced at £19.95 and our average discount is approx 38% on it. This means we'll take home on average £12.37. Subtract another 10% from this for distribution costs and 10% for royalties and ignore any returns, that gives us an income of £9.90. Subtract another £4.00 (approx) for the unit cost and we should make £5.90 per book. That means we'll need to sell an extra 102 copies just to pay for the advertisement - and that can be a tall order. But this is a moderately high price book with a moderately low average discount. Do the sums again for a trade paperback at £7.99 and 50% and you see you've got to start selling hundreds.

Strictly Me

In my last post I speculated that the blurb for the book Click might have been written with keywords in mind. Today I checked my Google Analytics statstics and saw that I had a visit to the blog from someone who put "Mark Ramprakash" into Google.

I think this confirms my suspicions that the whole art of blurb (and blog) writing should be about including as many popular keywords as possible.

Look out for future posts on Barack Obama and Paris Hilton and the effect of their books on the publishing industry.

Click

I saw this book Click the other day in a train station WHSmith. Having just published a book on a related subject I was intrigued enough to pick it up.

The back cover blurb starts with what would normally be 3 bullet points (except there are no bullets.) They are as follows:

British teenagers furiously search for "prom dresses" and "limousines" in advance of their end-of-year school balls.

A correct prediction, several weeks in advance of the final show, that Mark Ramprakash would be the winner of Strictly Come Dancing season 4.

Internet user behaviour around visits to the Arctic Monkeys' website from social networks and search engines drive the band to the top of the album chart.

These 3 statements don't make any sense to me. Do they make sense to you? On the face of it they don't tell me anything I might not have guessed. They certainly don't tell me anything I might care about and they really don't tell me much about the book - unless the book is about conspiracies on the internet - but I don't think it is.

I'm tempted to suggest that both the book and the blurb are about keyword searches - Mark Ramprakash, Strictly Come Dancing, Arctic Monkeys and Prom (mistyped as Porn?) but who knows. I doubt the blurb was written by the author but he must have approved it. Anyway I got no further which just goes to show the importance of getting the blurb right. I think I'm probably interested in the subject of the book but already my reading experience is off-putting and I haven't even opened it yet.

I've lots of sympathy though for the poor marketing junior who probably did write this. I used to have write blurbs in the past (and occasionally still do if we're really desperate) and I am rubbish at it. However I don't think I ever produced anything as bad as this. It is a real skill and an underestimated one.

The Estate We're In

4th Estate are coming up to 25 years old. Congratulations. They've published some fine books. In celebration they've created a truly beautiful animated film featuring their books.



Goodness knows what it cost - but I hope it was paid for out of the publicity budget rather than the marketing one as I'm sure it will get lots of publicity but will it sell any books? I doubt it. Oh to have this sort of budget to waste on a celebration.

It did however lead me to what I presume is the 4th Estate's corporate blog - rather confusingly called 5th Estate.* This may be worth a look if you're into that sort of thing.

* Somewhat late it occurs to me that if The Press is the 4th Estate then is the blogosphere the 5th Estate? I've not heard anyone suggest that but presume it is the reason for this blog's title - in which case it is quite clever IMHO.

Crime and Detection

This isn't directly publishing related but my internal editor's warning bell was rung by this sign on an ATM in London. Again, apologies for the poor picture – the camera on my mobile 'phone isn't that great.

I'm not really sure what the point of the sign is – but it is probably a data protection law requirement that it is there.

What I do know is that I want CCTV cameras to be used for 'crime detection' not 'crime and detection'.

The Overlook

I don't expect to do much book reviewing on this blog. It is too much like the day job. However every now and then I hope to comment on individual books as good or bad examples of publishing or commissioning.

First of all I have to say that I am a big fan of Michael Connelly and in particular his Harry Bosch books. However I was sorely disappointed when I read The Overlook. The story itself was OK. Not one of Connelly's best but an adequate read and a must for any Harry Bosch fan. However it is short. The story itself is 290 odd pages which may seem a reasonable length but, according to my in-house design expert, it is set 10/14, basically line spacing of 1.5, thus stretching out the story over many more pages than necessary. The rest of the 337 pages are taken up with a 14 page 'interview' of Harry Bosch the protagonist by Connelly the author, and 30 odd pages of the next Bosch novel. i.e an advert.

I have since discovered that the book was written as a serial for the New York Times. This explains why it is so short and perhaps why it isn't up to Michael Connelly's usual standard. It doesn't though excuse what I think is a terrible bit of book publishing. I don't blame Connelly – he was commissioned to write the serial and did so and presumably got paid for both serial and book. However I really don't think any book publisher should have just taken the serial and published it as a book. Connelly should have been commissioned to re-write and expand the book to turn it into a proper novel. He may well have felt this unnecessary but I believe his agent and publisher should have persuaded him that it was necessary to protect his reputation.

As it is, I feel ripped off. I get a much shorter story than I expect having read the previous 12 Harry Bosch novels. I also get the Harry Bosch interview. What a piece of self-indulgent nonsense. The whole piece could appear in Private Eye's Pseuds Corner. Finally I get to pay for 30 pages of the next novel, The Brass Verdict – which I'll probably read anyway. I am not against these trailers for future books. But this one was as long as 10% of the book I had just read. Making your customers feel ripped off is not a good plan for publishers and that's why I think this was bad publishing.

p.s I see from Michael Connelly's website that he has 'interviewed' Harry Bosch on 2 other occasions. This is perhaps beyond self-indulgent bordering on the weird.

Make or Break

As soon as I ask for information on ebooks sales Waterstone’s oblige by releasing figures for sales of ebooks from their website. Wow – the power of the blogosphere comes to Publishing Lore.

In fact David Kohn appears to have talked a little about this at the recent Galley Club meeting – I wish I had been there. At least the Atlantic Books blogger has put David Kohn’s absurd statistic about more ebook sales on Christmas day than real books sales in its place. I think this meaningless stat was there to distract from the reality that actually sales of ebooks aren’t that great.

Waterstone’s claim to have sold 30,000 Sony Readers and 75,000 ebooks. That’s two and a half books per reader. If you assume, as I do, that ebook readers are bought for or by avid readers then this doesn’t seem like very high sales to me. I’d love to know how many paper books these Sony Reader owners have bought in the same period but we’ll never know. I’ve certainly bought lots more books than this in the time that the Sony Reader has been out.

One of my authors has just bought a reader and I look forward to hearing what they think about it. I might need to consider producing their book as an ebook but am yet to be convinced there is a market out there.

This blog is in danger of being dominated by discussions of ebooks – so will rest my case there for a bit though 2009 looks to be shaping into the make or break year for ebooks, so I am sure I’ll revisit the subject.

Vanity Fair

Yesterday I spotted my 3^rd Sony Reader in the wild. This time it was being used by a woman in her 20s on the train.

So already my insignificant statistics have been proven worthless. It seems that it isn't just men indulging their stereotypical love of gadgets who have Sony Readers.

However the woman on the train was reading Vanity Fair which almost certainly is one of the free texts on the Sony Reader and this I believe strengthens my supposition that Sony Readers are being used as the best and cheapest way for avid readers to get their hands on 100 classics that they would otherwise not buy or read. After all, 100 classics from Wordsworth would cost you £250 - £25 more than the Sony Reader and they'd take up a whole lot of space. If you just want to tick off the classics on your read list – this must be the way to do it.

So will these Reader owners ever get through these 100 titles and the 26,000 available at Project Gutenberg and actually buy an ebook? I'm beginning to have my doubts.

It seems there are other Reader owners out there who have yet to buy an ebook. Scott Pack is interviewed today on the North Meadow Media blog and claims not to have bought an ebook yet for his Sony Reader, though he has speculated on ebook sales.

Perhaps for the publishing world, Waterstone's announcement that they've sold 30,000 Readers isn't as significant as I thought. What we really need are some figures on their sales of ebooks.

Vanity Fare

Vanity Publishing has been around a long time but modern technology has really enabled it to take off. Print on demand and ecommerce have meant companies like Lulu.com have been able to publish many books that commercial publishers wouldn't consider. Unfortunately some Vanity Publishers (not Lulu) have a terrible reputation for quality and service and many have been accused of misrepresenting the service they provide to authors.

Now colour digital printing technology has developed to such an extent that Vanity Presses like Bob Books have appeared. These aren't really publishers – they don't make your books generally available to the book buying public – but they do allow people to produce 'books' of their photographs.

I saw this advertisement for Bob Books yesterday on the station platform.

Now on their website they claim 'The thing is, we love books and we're more than a little obsessive about quality. Our books are made in Switzerland – home of really well made things™ – combining traditional book-binding craftsmanship with state-of-the-art technology.'

However, I think I'd be wary of any publisher who could design, print, distribute and display this 6 foot poster featuring this terrible typo.

What were they thinking of? This?

P.S. Apologies for the quality of the photos taken with my mobile phone in very challenging lighting conditions.